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п»ї<title>The world of Mafalda</title>

Quino, the world-famous Argentine humorist, recently received the 2014 Prince of Asturias Award for Communication and Humanities. A recognition that was received with joy around the world, especially because more than one generation has laughed with his witticisms.
Mafalda is the great protagonist in Quino's world. Her cartoons have been translated into thirty languages. Intellectuals of the stature of Umberto Eco have declared their love for the little girl. This witty little girl, concerned about world peace, the contradictions of the political world and the fate of the planet, has a captive following everywhere.
Mafalda was born in 1963 and starred in the comic strip until 1973. After that date, the comic strips have continued to be reproduced through all kinds of media. In fact, she is one of the favorite characters on social networks, even fifty years after she was created.
As absurd as it may seem, this cute little girl, who hates soup and loves the Beatles, also appeared as a protagonist in a massacre perpetrated in Argentina by the military regime, against three priests and two seminarians. On one of the bodies, the criminals placed a poster in which Mafalda appeared pointing at a policeman's baton and saying: "This is the stick of abolishing ideologies".
Mafalda's comic strip is above all a compendium of wisdom and an inexhaustible source of reflection. With a toast to Quino and a gesture of admiration for his creation, here we bring you ten of the phrases that have made Mafalda a universal character.
For those who deny the present: "It is not true that all times past were better. What happened was that those who were worse had not yet realized it".
A phrase that is repeated everywhere: "As always: the urgent leaves no time for the Important".
A sarcasm against self-improvement ideologies: "Start the day with a smile and you'll see how much fun it is to go around out of tune with everyone".
Mordacious in the face of the human condition: "They say that man is an animal of habit, but man is an animal of habit".
A harsh truth: "Admitting that one is wrong is the harakiri of pride".
The questioning of the vaunted autonomy: "It would be nice to wake up one day and find that one's life depends on one".
The question about the current times: "Could it be that this modern life is becoming more modern than life?
A critical look at the stages of life: "Life should not strip you of your childhood without first giving you a good place in your youth".
Another perspective in the face of the little phrases: "Life begins at forty [he reads in a newspaper]. So why the hell do they make us come so far in advance?
Manolito criticizes her because he likes the Beatles, without understanding the lyrics of their songs. Thus Mafalda vindicates the universal sense of art: "Half the world likes dogs, and to this day nobody knows what wow means".
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The monsters of reason: psychology of Goya's black paintings.
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п»ї<title>The monsters of reason: psychology of Goya's black paintings.</title>

The psychology of Goya's black paintings remains an enigma. That set of mysterious and gruesome paintings that decorated the Quinta del Sordo were created through a unique cosmogony, the product of a troubled mind, desperate at times and determined in turn by a historical context marked by repression.
Now, was the torment suffered by Francisco de Goya the result of some psychological disorder, or was it perhaps the result of that desperate patina brought on by age, deafness and the immanent violence of a convulsive Spain? Perhaps it was the combination of all of these. We cannot ignore how the creative universe of every artist works: the sorrows of life are reflected in every canvas and even in the choice of the chromatic range.
The fourteen works that make up the so-called Black Paintings represented a remarkable change in his career. He went from light to shadow. He was the master of color and ended up living in a home where darkness stained its walls. He, who had been the most outstanding portraitist of the Spanish society of the Enlightenment, ended up decorating his house with deformed, burlesque and demonic faces.
These figures served him, perhaps, to overturn his sensations, thoughts and all the horrors he had seen in the past. Thus, and almost without knowing it, Goya would anticipate contemporary painting. That intentional deformation and that tonality in which the blackness of a tormented soul vibrated gave way to expressionism.
The painter Francisco de Goya by Vicente LГіpez PortaГ±aPsychology of Goya's black paintingsMercury vermilion, oropiment, lead white, vine wood coal black, Prussian blue and various types of ochre. These were the pigments that Francisco de Goya himself prepared and that were used to create these works of the Quinta del Sordo. Thanks to various historical documents and testimonies of the time, we even know where the paintings were located.
On the upper floor of the house were Two Strangers, The Holy Office, Asmodea, A Dog and Two Witches, Atropos, Two Men and Two Women. The darkest and most overwhelming were curiously performed in the dining room, which was located on the first floor and destined for social events. There was Saturno, La romerГ­a de San Isidro, El gran cabrГіn, La Leocadia, Dos viejos, Judith and Holofernes.
He did not mind too much that the few visitors he received were impressed by those images. Nor that he could be denounced; we cannot forget that Goya was always an uncomfortable character for the Inquisition, for every ecclesiastical institution that saw in him an artist who did not hesitate to portray the perversions of those who abused their power.
One of the objectives of the psychology of Goya's black paintings is to know what led him to paint them. We not only wonder about his mental state, whether or not he suffered from any disorder. One of the doubts is whether he painted them out of pure emotional need, for simple enjoyment or whether he wanted to leave something to posterity (and specifically to his grandson, to whom he bequeathed the Quinta del sordo).
Let us analyze some aspects of his work to understand his inner world.
The dream of reason produces monsters: the Susac syndromeTo understand the Goya of the Black Paintings it is interesting to first stop at the Caprichos. These 80 prints already give us a clue of the change in the life of the Aragonese artist. At this time his autoimmune disease was already present.
The so-called Susac's syndrome manifested itself when he was 46 years old, weakening his physical and psychological health in a galloping way. Headaches were constant, as well as dizziness and visual disturbances... All this created a new pigment in the Aragonese master's art: that of darkness and anguish.
One of the neurological consequences of this rare disease was undoubtedly deafness. His sensory faculties were deformed, he lost his verve, light, sound, hope... Just like the society in which he was immersed. The Caprichos were his first approach to the unconscious, to that inner world in which he could capture like no one else the grotesque, the monstrous, the fantastic...
In these prints Goya brought us the reflection of the superstitions of the simple people of the time, those who believed in demons, witches and ghosts... Nocturnal creatures that invaded the dreams of the enlightened.
Saturn devouring his sonThe delirium tremens of a brilliant but sick mindA good part of Francisco de Goya's work (1746-1828) is inhabited by disturbing characters. Was this the reflection of some mental disorder? Not at all. It was the exceptional creation of an artist who reflected like no one else the unreasonableness of a debased society in which he himself lived... and which made him despair.
Few figures in art conveyed so well the inner torment, loneliness, fear and despair. When Goya arrived at his country house, La Quinta del Sordo, his mind was still buzzing with memories, the sound of the firing squad, the pain of exile, the burning of disloyalty?
The psychology of Goya's black paintings tells us that what hurt him was life and that he was sick.
As Dr. Ronna Hertzano of the University of Maryland explains, Susac syndrome results in brain inflammation. It causes hallucinations and poorer blood supply to the eyes and ears. Hence the deafness, the vision problems, the suffering?
In The Black Paintings there is no light because there was no hope for Francisco de Goya. He was a desperate man suffering in an equally chaotic world. His "Saturn" devouring his son or "Judith and Holofernes" were later those mythological figures that Freud would use for his theories. The symbolic register of these last works do nothing more than represent the most sinister and atavistic of the human being. Our darkest drives.
Goya did nothing more than connect with them to give them form. He was the channel that brought us the darkest part of our nature, those shadows that we don't always like to see.
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На данный момент нет понимания, когда Россия ответит США по гарантиям безопасности. Это решит президент Владимир Путин. Такой комментарий дал представитель Кремля Дмитрий Песков, пишет ТАСС.

Пресс-секретарь президента не исключил, что глава государства расскажет о своей реакции на ответ США по гарантиям безопасности после встречи с премьер-министром Венгрии Виктором Орбаном. «Поэтому можно предположить, что так или иначе она будет фигурировать. Но давайте дождемся эту пресс-конференцию», — добавил Песков.

По его словам, встреча лидеров начнется примерно в 16-17 часов. Это зависит от того, как пойдут переговоры, заключил представитель Кремля.

Ранее стало известно, что политики в ходе встречи планируют обсудить вопросы дальнейшего развития двусторон­него сотрудничества в торгово-экономической, энергетичес­кой и культурно-гуманитарной областях. Также Путин и Орбан намерены обменяться мнениями по актуальным проблемам обеспечения безопасности в Европе.

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п»ї<title>The controversy about ADHD</title>

Naughty Daniel, the cartoon character, would surely have been diagnosed with attention deficit hyperactivity disorder (ADHD).
It is the child-juvenile psychiatric disorder par excellence of modern times. It is characterized by short attention spans, impulsivity, inability to sit still and emotional instability. It affects between 5 and 10% of the school-age population and accounts for up to 40% of psychiatric consultations in this age group. Its diagnosis, to this day, remains controversial.
One theory suggests that, rather, the disorder is a social construct. A social construct is, from a psychosocial point of view, a convention that is taken for granted, but has no natural basis. In an article published by The British Journal of Psychiatry, it is suggested that ADHD is considered a disorder based solely on what is established as "normal" for a social group, regardless of neurological arguments, the diversity of which can be expected in any type of behavior.
For their part, some experts, while not going so far as to call it a "fictitious disorder", do speak of ADHD as a "fictitious" epidemic. According to their opinion, children and adolescents have never been so exposed to so much information as they are now: between smartphones, ipods and portable video games, it is almost impossible for them to concentrate on school lessons that were designed for generations that grew up in a totally different environment. According to their criteria, it is not necessary to medicate children, but to revolutionize the educational system according to the discoveries that have been made over the years, taking into account the different types of intelligences and ways of learning. They also point out that, for example, in the United States the rates of children with ADHD seem to obey more to geographic-cultural than medical patterns. In fact, the British Psychological Society has suggested that, particularly in the United States, ADHD should be treated with greater care.
To all this, we can add the voices of psychoanalytic movements, which claim that it is overdiagnosed and that the use of some medications causes side effects similar to those of other drugs such as cocaine or amphetamines, which cause severe deterioration in children's health.
In fact, Leon Eisenberg himself, the American psychiatrist who discovered ADHD, stated that it is a "fictitious disease" a few months before he died.
The truth is that while the controversy continues, an important factor to keep in mind is to make sure that the ADHD label does not affect the child's self-esteem. The medical community, as well as the traditional educational system, focus on the negative aspects of the disorder, when in fact many ADHD sufferers have high IQs and can even achieve better grades than their peers with minimal attention. Each child and adolescent is different, with his or her own personal history, and certainly has much more to offer than a mere classification as an ADHD patient.
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